The widely anticipated studio album from garage rock idols Shannon & The Clams, Year Of The Spider, is slated for a summer 2021 release. The band returned to Nashville to record with Dan Auerbach at his legendary Easy Eye Sound studio this past year. Fresh off of their standout album, Onion, and supporting tours with the likes of The Black Keys and Greta Van Fleet, they returned to the studio to craft their utterly unique vintage sound that incorporates wonderfully strange elements of doo-wop, classic R&B, garage psych and surf rock to produce this timeless gem from these perennial favorites. The band, fronted by Shannon Shaw and Cody Blanchard on lead vocals with Will Sprott on keyboards and Nate Mahan on drums, crafted an endlessly vivacious, ebullient and clever album from the kings and queen of the Bay Area garage punk scene.

Stand for Myself is the anthemic new album from Yola. Produced by Dan Auerbach, the record is a timeless masterpiece marking an idiosyncratic sonic shift, which will defy all expectations. A sophisticated and diverse sonic mix of symphonic soul and classic pop, tracing an expansive musical thread to Yola’s most eclectic musical inspirations. Yola’s inimitable vocals share nuanced stories of allyship, black feminine strength through vulnerability, collective awakening and loving connection from the sexual to the social. Yola declares that it is only when we stand for ourselves, and acknowledge our complexity, that we can be truly alive. For Yola, living is more than merely surviving.

Sharecropper’s Son is the career-defining new album from Robert Finley, “the greatest living soul singer” who in a bizarre twist, found overnight success after 67 years of hard work. Following Finley’s semi-finalist appearance on America’s Got Talent, he returned to the studio to follow-up his critically acclaimed record, Goin' Platinum! The resulting Dan Auerbach produced album is a soulful masterpiece, rooted in the vintage sounds of southern harmony, rhythm and blues. Recorded at Easy Eye Sound studio in Nashville with legendary music studio veterans, Finley’s formidable vocals and lyrical stylings take center stage, sharing personal stories inspired by his Louisiana country childhood during the Jim Crow era south. His tales of pain and joy uplift as Finley reflects on his belief that you are never too young to dream and never too old to live.

Smoke from the Chimney, the posthumous album by Louisiana swamp rock pioneer Tony Joe White, brings to life previously unknown home recordings by the legendary songwriter and musician. White’s eclectic legacy has persevered through decades of influence, covers and popular culture. Starting with the album’s genesis as an unforeseen trove of demos to the hands of producer Dan Auerbach and legendary session musicians, Smoke from the Chimney captures Tony Joe White’s signature style in its purest form, and serves as a living testimony to one of the most gifted lyricists and storytellers music has ever known.

Legendary country artist John Anderson returns with his new album Years, to be released April 10 on Easy Eye Sound. Produced by Dan Auerbach and David “Fergie” Ferguson, the album includes ten new original songs, as well as special guest appearance by Blake Shelton on the track “Tuesday I’ll Be Gone.” Created in the midst of a serious health crisis, Years is the product of the unlikely and, ultimately, richly rewarding collaboration between Anderson with Auerbach, who wrote all ten songs on the album together along with help from Paul Overstreet, Pat McLaughlin, Ferguson, Dee White, Joe Allen, Bobby Wood and Larry Cordle.

Early James, an Alabama native and the latest signing to Dan Auerbach’s Easy Eye Sound roster, releases his debut album, Singing for My Supper, via Easy Eye and Nonesuch Records on March 13, 2020. The album spans hard-charging blues, wistful folk, and ages-old pop crooning, anchored by the singer’s voice that oscillates from gravel-gruff shout to a honey-smooth whisper. James’ inspirations run from Fiona Apple and Tom Waits to the Southern gothic poets, as heard in the album’s darker themes and in the wry humor with which he writes about them.

72-year-old bluesman Jimmy “Duck” Holmes’ new album, the Dan Auerbach produced Cypress Grove, captures the raw, explosive sound of real Mississippi Juke-Joint Blues today. Cypress Grove is an aural postcard of a typical Saturday night at Holmes’ Blue Front Café, America’s longest operating juke joint. The album is anchored by tradition — which is natural, since Holmes is the last of the original torchbearers of the rural style known as Bentonia blues—but it’s also explosive, raw, and unpredictably in the moment.

Over the past two decades, Kendell Marvel has become one of the great storied songwriters in Nashville. For years, he’s quietly written massive hits for Country royalty – from George Strait to Jake Owen, Gary Allan to Chris Stapleton – but now has stepped from behind the pen and paper into the studio and spotlight. The result is Solid Gold Sounds – a stellar album that weaves a rich tapestry of deep southern songwriting with the unique gravity and talent Marvel brings as a one-of-a-kind performer.

Easy Eye Sound will release two previously lost and unreleased tracks from the archives of the legendary Link Wray. “Vernon’s Diamond” which was recorded between 1958-59 at the Broadway Recording Studio in NYC and “My Brother, My Son” recorded in 1970 at Fred Foster Studios in Nashville, TN, will be released as a 7-inch vinyl on Record Store Day 2019. All profits from sales of the 7-inch will benefit a planned Link Wray Statue in his home state of North Carolina.

Leo Bud Welch, the deceased delta bluesman, spent his life honing his musical craft. The Mississippi native and 30-year lumberjack performed as a gospel singer in his small hometown for years before he made his first record when he was in his seventies. The influence of the region he called home, his years of musicianship, and his well-lived life blended together to create music that is as unique as he is. Produced by Dan Auerbach at Easy Eye Sound studios in Nashville, TN with performances by Richard Swift.