'Electrophonic Chronic' features The Arcs full original line-up of Dan Auerbach, Leon Michels, Nick Movshon, Homer Steinweiss and Richard Swift. The collection was recorded between Nashville - at Auerbach's Easy Eye Sound studio - and New York at Electric Lady and Leon Michels' Diamond Mine. The album's cover art was illustrated by El Oms, whose artwork also dons the cover of the group's 2015 debut Yours, Dreamily. Like much of Electrophonic Chronic it stands as a tribute to Swift, their bandmate and brother gone too soon. "This new record is all about honoring Swift," Auerbach concludes. "It’s a way for us to say goodbye to him, by revisiting him playing and laughing, singing. It was heavy at times, but I think it was really helpful to do it.”

The new album, 'Electrophonic Chronic,' is available everywhere January 27, 2023.

Brothers born in Ecuador and raised in Switzerland, have come together to create a signature guitar sound inspired by expansive plains and rough wildernesses, saguaros and surfs, spaghetti westerns and Morricone soundtracks. 'El Bueno Y El Malo' is their most epic journey yet: Working with the Black Keys’ Dan Auerbach at his Easy Eye Sound Studio in Nashville, they’ve crafted ten vivid compositions that highlight their intimate guitar playing, where one brother’s rhythms and the other brother’s melodies twine around each other so that they become inextricable.

Alabama's native son, Early James, will release his sophomore album, Strange Time To Be Alive, on August 19, 2022. The lyrical wordsmith conjures the ghosts of great southern gothic writers from Eudora Welty to William Faulkner, while channeling the haunted spirits of Tom Waits and Townes Van Zandt. The album evokes a timeless amalgam of forsaken blues, wistful folk and Tin Pan Alley crooning, anchored by the singer’s unmistakable voice that sways from gravel-filled shouts to pained, forlorn whispers – and songs that tread in the waters of darkly themed broken hearts.

On the road again since August 2021, Early James will continue touring consistently through 2022. Confirmed upcoming tour dates are with The Black Keys and The Ghost of Paul Revere. Previously, Early James has played Newport Folk and toured with The Lone Bellow, The Marcus King Band, Zachary Williams, and Shovels & Rope.

There are giants that walk among us. John Anderson is truly a country legend, as his remarkable career has spanned over a staggering 40+ years, starting in 1977 to his last release, Years, produced by Dan Auerbach in 2020. In that period, Anderson has charted more than 40+ singles on the Billboard Country Music Charts, including an impressive five number ones in numerous decades. In 2014 Anderson was elected into the prestigious Songwriters Hall of Fame. His wake of influence throughout his recording career has become that of legend.

It was during the recording of Years for Easy Eye Sound that noted artists, running the gamut from peers to the influenced, started coming out of the woodwork to heap praise on his body of work. From those many encounters, Dan Auerbach hatched the idea of a tribute to the genius of John Anderson. The herculean talents of everyone from Luke Combs to John Prine, from Eric Church to Tyler Childers, Nathaniel Rateliff to Brothers Osborne, and Ashley McBryde to Gillian Welch & David Rawlings and many more all came together to pay tribute to John and his remarkable contributions in this stunning album.

Blues styles have been used and adapted extensively throughout country music’s recorded history. In fact along with elements of Southern rock, the core of Country Music Hall of Fame member Hank Williams, Jr.’s sound has always been the blues, and his latest album, Rich White Honky Blues, is a sonic testimony to that. Having used these same blues elements on his early albums, this raw and gritty new studio album returns to those roots. The project came together this past summer over three hot days in Nashville, Tennessee inside producer Dan Auerbach’s legendary studio, Easy Eye Sound. The vibrant and raucous album was recorded live with some of the finest blues session players in the country with Kenny Brown (guitar), Eric Deaton (bass) and Kinney Kimbrough (drums) all joining Bocephus and Auerbach in the studio. Never one to rest on his laurels, even after 56 studio albums and induction into the Country Music Hall of Fame, the acclaimed singer/songwriter and musician is still finding new creative ground to explore.

A new Son House album of previously unreleased recordings from the legendary “Father Of The Delta Blues” features the never before recorded track, “Forever On My Mind.” The album comes from noted blues manager and historian Dick Waterman’s archives which were the first upon Son House’s 1964 re-discovery. Restored to remarkable clarity, by producer Dan Auerbach for Easy Eye Sound, these recordings represent the earliest recordings of House upon his return to the limelight after 20+ years away.

Strutting out of the historic town of Doylestown, Pennsylvania, Ceramic Animal forge an original and exciting new sound from glam, post-punk, psych rock, ’70s pop, and so much more. Just as crucially, this band of brothers--Chris Regan (vocals, guitar), Erik Regan (drums), and Elliott Regan (vocals, keys), along with childhood friend Anthony Marchione (guitar) and Dallas Hosey (vocals, bass)—have found success on their own terms, bucking industry conventions to attract a large and far-flung fan base spanning generations and genres. They’re already a success story based on their first three self-funded, self-produced, and self-released albums.

Their fourth, however, shows the spoils of their success. Recorded with Dan Auerbach at his legendary Easy Eye Sound studio in Nashville, Sweet Unknown is their most mature, their most imaginative, their most daring to date, colliding the glitter-stomp of T. Rex, the rock-and-roll decadence of any-period David Bowie, and the extravagant melodicism of Todd Rundgren. Musically exuberant, these ten new songs are shot through with an undercurrent of sadness, with songs like “Long Day” and “Private Dancer” and even the rip-roaring closer “Valerie” addressing loss, absence, and estrangement. It’s an album that grabs you by the lapels on first listen, but tells you dark secrets with every subsequent spin.

Nightmare Daydream, the debut album from primal rock and roll trio, The Velveteers, is the culmination of the raw power and electric voice of singer/guitarist Demi Demitro with the primal rhythm of her two drummers, Baby Pottersmith and Jonny Fig. Fused with the studio prowess of GRAMMY® Award-winning producer, Dan Auerbach, the album is a crushing combination of 70s style psychedelia and the hard rock of the California desert.

The widely anticipated studio album from garage rock idols Shannon & The Clams, Year Of The Spider, is slated for a summer 2021 release. The band returned to Nashville to record with Dan Auerbach at his legendary Easy Eye Sound studio this past year. Fresh off of their standout album, Onion, and supporting tours with the likes of The Black Keys and Greta Van Fleet, they returned to the studio to craft their utterly unique vintage sound that incorporates wonderfully strange elements of doo-wop, classic R&B, garage psych and surf rock to produce this timeless gem from these perennial favorites. The band, fronted by Shannon Shaw and Cody Blanchard on lead vocals with Will Sprott on keyboards and Nate Mahan on drums, crafted an endlessly vivacious, ebullient and clever album from the kings and queen of the Bay Area garage punk scene.

Stand for Myself is the anthemic new album from Yola. Produced by Dan Auerbach, the record is a timeless masterpiece marking an idiosyncratic sonic shift, which will defy all expectations. A sophisticated and diverse sonic mix of symphonic soul and classic pop, tracing an expansive musical thread to Yola’s most eclectic musical inspirations. Yola’s inimitable vocals share nuanced stories of allyship, black feminine strength through vulnerability, collective awakening and loving connection from the sexual to the social. Yola declares that it is only when we stand for ourselves, and acknowledge our complexity, that we can be truly alive. For Yola, living is more than merely surviving.